What were they wearing in March during the Regency? Well As usual, I have a couple of treats for you.
I did want to tell you about my exciting news - if you haven't heard already. No Regrets was nominated by Foreword Magazine for the Book of the Year Award. Now we have to wait for the result, but just being nominated is an honor.
Now to our March Fashions, my favorite part of the month, with thanks and acknoledgements to Moonstone Research and Publications. See the link in the sidebar.
This bit of elegance is a morning dress or a carriage dress from 1811. It is quite lovely, in my opinion. And very suitable for the blustery winds of March.
LA Belle Assemblee describes it as follows:
"A bias corded muslin dress, a walking length, with long sleeves, made high in the neck, with collar; buttoned down the front of the waist with narrow lilac satin ribband. Sash tied in a bow in front; a border of plain muslin, or lace, round the bottom. A square of lilac satin, with richly embroidered border in white silk, and tassels to correspond, is thrown over the shoulders in the form of a shawl, and is cut down the back to give it a more easy and graceful appearance about the figure. A simple white chip hat, tied round the crown in a bow in front of lilac satin ribband. The hair in full curls over the forehead. Pearl earrings. Gloves and shoes of pale lemon, or lilac coloured kid."
These next two are from the Ladies Monthly Museum. A morning gown and an evening gown as you can see. Very ornate, already losing the classic drapery of the fashions above, they show heavy trim around the hem. The lacy overdress on the evening gown is beautiful, with a lace edging and the wavy hem trimmed with tassles is a lovely effect for the underskirt.
The crown of roses for the evening gown must have made this young lady walk with great trepidation. It would be like having a book on your head I should think. Worse than any up-do we suffer through these days.
This last is from 1810 La Belle Assemblee. To me these almost look like two versions of the same gown using different fabrics.
Evening Full Dress.
A white satin round dress, with half yard train, laced up the back and seams with gold twist, ornamented round the neck with a full twill of frosted stain or white crape, and down the front and at the wrist with gold braiding, and small drop buttons. It is made to sit high on the neck; cut to a point in the centre of the bosom and back: a gold band encircles the waist. A white satin Emsdorf helmet trimmed with gold, ornamented with two white craped ostrich feathers. White satin shoes embroidered with gold; white kid gloves; gold necklace and ear-rings; cornelian brooch. The hair dressed in ringlets on each side of the face, with a long Theresa curl falling over the left shoulder.
Second Evening Dress
An India muslin train over a white satin petticoat. A bodice of green velvet, ornamented at the seams with gold braiding, and trimmed round the neck with a twill of green crape or velvet. A Spanish cap, with green craped ostrich feathers.
Personally, I am not keen on the Emsdorf helmet, but is apparently fashioned after the helmet worn by the 15th light dragoons who defeated the French at Emsdorf in 1760. So I assume it had a patriotic attraction.
Well that's it for my rambling today. Hope to see you next time.
I did want to tell you about my exciting news - if you haven't heard already. No Regrets was nominated by Foreword Magazine for the Book of the Year Award. Now we have to wait for the result, but just being nominated is an honor.
Now to our March Fashions, my favorite part of the month, with thanks and acknoledgements to Moonstone Research and Publications. See the link in the sidebar.
This bit of elegance is a morning dress or a carriage dress from 1811. It is quite lovely, in my opinion. And very suitable for the blustery winds of March. LA Belle Assemblee describes it as follows:
"A bias corded muslin dress, a walking length, with long sleeves, made high in the neck, with collar; buttoned down the front of the waist with narrow lilac satin ribband. Sash tied in a bow in front; a border of plain muslin, or lace, round the bottom. A square of lilac satin, with richly embroidered border in white silk, and tassels to correspond, is thrown over the shoulders in the form of a shawl, and is cut down the back to give it a more easy and graceful appearance about the figure. A simple white chip hat, tied round the crown in a bow in front of lilac satin ribband. The hair in full curls over the forehead. Pearl earrings. Gloves and shoes of pale lemon, or lilac coloured kid."
These next two are from the Ladies Monthly Museum. A morning gown and an evening gown as you can see. Very ornate, already losing the classic drapery of the fashions above, they show heavy trim around the hem. The lacy overdress on the evening gown is beautiful, with a lace edging and the wavy hem trimmed with tassles is a lovely effect for the underskirt.
The crown of roses for the evening gown must have made this young lady walk with great trepidation. It would be like having a book on your head I should think. Worse than any up-do we suffer through these days.
This last is from 1810 La Belle Assemblee. To me these almost look like two versions of the same gown using different fabrics. Evening Full Dress.
A white satin round dress, with half yard train, laced up the back and seams with gold twist, ornamented round the neck with a full twill of frosted stain or white crape, and down the front and at the wrist with gold braiding, and small drop buttons. It is made to sit high on the neck; cut to a point in the centre of the bosom and back: a gold band encircles the waist. A white satin Emsdorf helmet trimmed with gold, ornamented with two white craped ostrich feathers. White satin shoes embroidered with gold; white kid gloves; gold necklace and ear-rings; cornelian brooch. The hair dressed in ringlets on each side of the face, with a long Theresa curl falling over the left shoulder.
Second Evening Dress
An India muslin train over a white satin petticoat. A bodice of green velvet, ornamented at the seams with gold braiding, and trimmed round the neck with a twill of green crape or velvet. A Spanish cap, with green craped ostrich feathers.
Personally, I am not keen on the Emsdorf helmet, but is apparently fashioned after the helmet worn by the 15th light dragoons who defeated the French at Emsdorf in 1760. So I assume it had a patriotic attraction.
Well that's it for my rambling today. Hope to see you next time.